Genuine heart animates Real Ponchos

Post image for Genuine heart animates Real Ponchos

June 5, 2014

Real Ponchos, Since I Let You Go (May 6th, 2014)
Produced by Jesse Gander and Real Ponchos
Catch Real Ponchos at Logan’s Pub on June 13th.

Reviewed by Noah Cebuliak

Real Ponchos’ debut full-length, Since I Let You Go, is refreshingly honest, optimistic and devoid of the clichés that often muddle country and roots music. Real Ponchos describe themselves as “psychedelic alt-country soul,” and from the first track, “Aged in Oak,” this Vancouver band demonstrate their capacity to deliver goosebumps up the spine. The opener is a heavy, open highway, big-sky victory of a song, with an earworm electric guitar riff and swelling pedal steel and organ, all under Emile Scott’s unique, honeyed voice.

Real Ponchos boasts two vocalists, and the following track, “Outta This Place,” features the gruff Ben Arsenault, who sounds like he’s come from a sunny southern state. Arsenault and Scott trade songwriting and main vocal duties throughout the record, a successful trick that reminds me of Conor Oberst’s Outer South, on which his Mystic Valley Band members contributed songwriting and lead vocals. Speaking of Oberst, Real Ponchos are alike, but far lighter and clearer – again, it’s refreshing. Some other positive comparisons include early Randy Travis (Storms Of Life, No Holdin’ Back), early Wilco and Victoria’s The Wicks. A thread of real authenticity and genuine heart carries through all of the above, and Real Ponchos follow in that lineage.

The rest of Since I Let You Go is a satisfying listen. Co-produced with Vancouver’s Jesse Gander (Japandroids, Pack AD, Corbin Murdoch), the sonic atmosphere and mix is crisp and welcoming. Juxtaposed with the exceedingly popular electronic music of today, with its quantized rhythms and saccharin synth glitch, Since is packed full of human warmth. Rhythm section Michael Wagler (upright bass) and Emlyn Scherk (drums) are absolutely solid in their tempo and rhythm, never cluttering, always adding nuances that reveal themselves after multiple listens.

Real Ponchos show their Grateful Dead and Allman Brothers’ likenesses on the back half of Since, with extended jams “Along The Way,” and “Take Me Back Home.” They ride the jam-band edge carefully though, keeping the movement and story of each song progressing tastefully, while demonstrating their instrumental skill at creating contemplative atmospheres reminiscent of their country roots.

One of the most interesting aspects of the overall production on Since is the now-rare quality of delivering deep emotion – nostalgia, hurt, longing – in a strong, masculine way. The record’s big heartbreaker is the song, “Just Like A Slow Burn,” which builds to Scott’s beautiful vocal testimony, singing long and with longing over sweet, glimmering guitars and dark-chocolate piano chords.

Emotional and sonic depth animate the success of Since I Let You Go. It’s a strong debut from inspired, talented young men on an honest mission to make their best music.

http://therealponchos.bandcamp.com/album/since-i-let-you-go ($7 Digital / $12 Hard)

Noah Cebuliak is a Montreal poet, multi-instrumentalist and songwriter. He leads a lyrical jazz-pop conspiracy called Ghost Lights. http://ghostlights.ca 

{ 0 comments… add one now }

Leave a Comment

Previous post:

Next post: